Instagram is a yearbook of our most memorable moments, not because they’re the moments worth remembering, but because they’re the moments worth projecting and sharing. And that’s part of the reason the service is the success that it is today, with 130 million users who have uploaded more than six billion photos to the service in less than three years.

Video, at least the amateurish footage I shot, is the antithesis of that fantasy. And as much as I think we’re getting more comfortable being ourselves online, there’s still a difference between the self you’re willing to share publicly and the self you’re willing to share when only a handful of people are watching.

Soon you will be hearing from Pandora how they need Congress to change the way royalties are calculated so that they can pay much much less to songwriters and performers. For you civilians webcasting rates are “compulsory” rates. They are set by the government (crazy, right?). Further since they are compulsory royalties, artists can not “opt out” of a service like Pandora even if they think Pandora doesn’t pay them enough. The majority of songwriters have their rates set by the government, too, in the form of the ASCAP and BMI rate courts–a single judge gets to decide the fate of songwriters (technically not a “compulsory” but may as well be). This is already a government mandated subsidy from songwriters and artists to Silicon Valley. Pandora wants to make it even worse.

App.net is the social networking service that has largely replaced Twitter for me. It is everything Twitter used to be and should have become. App.net is normally a paid service (Which is one of the things I love about it — you are the customer!).

Against Environmental Panic – The Chronicle Review – The Chronicle of Higher Education

Against Environmental Panic – The Chronicle Review – The Chronicle of Higher Education