Chapters often have page after page of paragraphs. It just seems such an awful lot of words to concentrate on, on their own, without something else happening. And once you’ve finished one chapter, you have to get through the another one. And usually a whole bunch more, before you can say finished, and get to the next. The next book. The next thing. The next possibility. Next next next.
I just finished my second Daniel Suarez novel called Influx and it was a terrific read. Can’t recommend it enough.
Springsteen wrote “Hungry Heart” for the Ramones?
One of the good things about being home sick was I got to finish reading Will Hermes Love Goes To Buildings On Fire: Five Years In New York That Changed Music Forever.
Hermes spent years researching the New York music scene from 1973 to 1977. He covered not only punk, disco and hip-hops beginnings (three genres that have so many books about their start already), but also lesser talked about 70s New York genres like Salsa, minimalism, loft jazz, opera and conceptual-performance music. Musicians like Patti Smith, Philip Glass, Bruce Springsteen, David Johansen, Willie Colon, Kool Herc, Grandmaster Caz, Laurie Anderson, Lou Reed, Richard Hell, Steve Reich, Lenny Kaye, Wayne County, Handsome Dick Manitoba, David Bryne, Rasheid Ali, etc all get the spotlight as Hermes shows how they were essential to the New York scene.
Hermes shows the relationships and rivalries these musicians had with each other: How Springsteen and Smith were friends, how Debbie Harry couldn’t stand Patti Smith as a person, how Wayne County and Dick Manitoba got into a fistfight on stage once, how Joey Ramone begged Bruce Springsteen to write a song for the Ramones to play so they could have a hit like Patti Smith did with “Because The Night” (he did, but Springsteen’s management forced Bruce to keep “Hungry Heart” for himself), how the Sugar Hill Gang stole Grandmaster Caz’s lyrics for “Rappers Delight”, how Wynton Marsalis essentially coerced Ken Burns to keep 1970s jazz out of his Jazz documentary because he simply didnt like it (well, I guess thats just a sentence in the epilogue, but still, thats messed up), etc etc etc.
It’s a great read, and I recommend it to anyone interested in New York City history and music history.
(also, the backcover has endorsements from Sarah Vowell, Chuck Klosterman and Luc Sante….that alone will get me to read this).
Just downloaded the iBooks sample. Can’t wait to read this.
I just downloaded a sample as well. Looking forward to digging in.
My dad gave me some good advice: when you’re walking with a lady you should always walk on the street side. His other advice was “Don’t do anything jailable” and “Don’t die”. [Laughs] He was using the minimum number of words but you got his point. If you’re doing stupid s***, be the guy who doesn’t do the stuff that could kill you. If you’re going to break the law: speed, run a red light, drink underage but don’t get yourself sent to jail.
Just pre-ordered. Can’t wait to read it.
The original promise of the e-book was not a promise to the reader, it was a promise to the publisher: “We will design something that appears on a screen, but it will be as inconvenient as if it were a physical object.” This is the promise of the portable document format, where data goes to die, as well.